1. HISTORY, BIOGRAPHY, AND TRAVELS.—From the year 1820, American literature may be considered as fairly launched upon its national career. The early laborers in the field had immense difficulties to encounter from ridicule abroad and want of appreciation at home; but they at last succeeded in dispelling all doubts as to the capability of the American mind for the exercise of original power, and to some extent diverted public thought from Europe as an exclusive source of mental supplies. The era we are now to consider will be found prolific in works of merit, and the expansion of mind will be seen to have kept pace with the political, social, and commercial progress of the nation. No subject of human knowledge has been overlooked; many European works have been elucidated by the fresh light of the American mind; a new style of thought has been developed; new scenes have been opened to the world, and Europe is receiving compensation in kind for the intellectual treasures she has heretofore sent to America.
The marvelous growth of the United States, its relations to the past and future, and to the great problem of humanity, render its history one of the most suggestive episodes in the annals of the world, and give to it a universal as well as a special dignity. Justly interpreted, it is the practical demonstration of principles which the noblest spirits of England advocated with their pens, and often sealed with their blood. The early colonists were familiar with the responsibilities and progressive tendency of liberal institutions, and in achieving the Revolution they only carried out what had long existed in idea, and actualized the views of Sidney and his illustrious compeers. Through this intimate relation with the past of the Old World, and as initiative to its future self-enfranchisement, our history daily unfolds new meaning and increases in importance and interest. It is only within the last quarter of a century, however, that this theme has found any adequate illustration. Before that time the labors of American historians had been chiefly confined to the collection of materials, the unadorned record of facts which rarely derived any charm from the graces of style or the resources of philosophy.
The most successful attempt to reduce the chaotic but rich materials of American history to order, beauty, and moral significance has been made by Bancroft (b. 1800), who has brought to the work not only talent and scholarship of high order, but an earnest sympathy with the spirit of the age he was to illustrate. In sentiment and principle his history is thoroughly American, although in its style and philosophy it has that broad and eclectic spirit appropriate to the general interest of the subject, and the enlightened sympathies of the age. Unwearied and patient in research, discriminating and judicious in the choice of authorities, and possessed of all the qualities required to fuse into a vital unity the narrative thus carefully gleaned, Bancroft has written the most accurate and philosophical account that has been given of the United States.
The works of Prescott (1796-1858) are among the finest models of historical composition, and they breathe freely the spirit of our liberal institutions. His “History of Ferdinand and Isabella,” of the “Conquest of Mexico,” and the “Conquest of Peru,” unite all the fascination of romantic fiction with the grave interest of authentic events. The picturesque and romantic character of his subjects, the harmony and beauty of his style, the dramatic interest of his narrative, and the careful research which renders his works as valuable for their accuracy as they are attractive for their style, have given Prescott's histories a brilliant and extensive reputation; and it is a matter of deep regret that his last and crowning work, “The History of Philip II.,” should remain uncompleted. Another important contribution to the literature of the country is Motley's (1814- 1877) “History of the Rise of the Dutch Republic,” a work distinguished for its historical accuracy, philosophical breadth of treatment, and clearness and vigor of style. The narrative proceeds with a steady and easy flow, and the scenes it traces are portrayed with the hand of a master; while the whole work is pervaded by a spirit of humanity and a genuine sympathy with liberty. Parke Godwin's “History of France” is remarkable for its combination of deep research, picturesqueness of style; and John Poster Kirk is the author of a valuable history of Charles the Bold.
Ticknor's (1791-1871) “History of Spanish Literature,” as an intellectual achievement, ranks with the best productions of its kind, and is everywhere regarded by scholars as a standard authority. It is thoroughly penetrated with the true Castilian spirit, and is a complete record of Spanish civilization, both social and intellectual, equally interesting to the general reader and to the student of civil history. It has been translated into several languages.