PERIOD THIRD. LITERATURE OF THE AGE OF THE REVOLUTION AND OF THE NINETEENTH CENTURY (1700-1885).

1. THE DAWN OF SKEPTICISM.—In the age just past we have seen religion, antiquity, and the monarchy of Louis XIV., each exercising a distinct and powerful influence over the buoyancy of French genius, which cheerfully submitted to their restraining power. A school of taste and elegance had been formed, under these circumstances, which gave law to the rest of Europe and constituted France the leading spirit of the age. On the other hand, the dominant influences of the eighteenth century were a skeptical philosophy, a preference for modern literature, and a rage for political reform. The transition, however, was not sudden nor immediate, and we come now to the consideration of those works which occupy the midway position between the submissive age of Louis XIV. and the daring infidelity and republicanism of the eighteenth century.

The eighteenth century began with the first timid protestation against the splendid monarchy of Louis XIV., the domination of the Catholic Church, and the classical authority of antiquity, and it ended when words came to deeds, in the sanguinary revolution of 1789. When the first generation of great men who sunned themselves in the glance of Louis XIV. had passed away, there were none to succeed them; the glory of the monarch began to fade as the noble cortege disappeared, and admiration and enthusiasm were no more. The new generation, which had not shared the glory and prosperity of the old monarch, was not subjugated by the recollections of his early splendor, and was not, like the preceding, proud to wear his yoke. A certain indifference to principle began to prevail; men ventured to doubt opinions once unquestioned; the habit of jesting with everything and unblushing cynicism appeared almost under the eyes of the aged Louis; even Massillon, who exhorted the people to obedience, at the same time reminded the king that it was necessary to merit it by respecting their rights. The Protestants, exiled by the revocation of the Edict of Nantes, revenged themselves by pamphlets against the monarch and the church, and these works found their way into France, and fostered there the rising discontent and contempt for the authority of the government.

Among these refugees was Bayle (1647-1706), the coolest and boldest of doubters. He wrote openly against the intolerance of Louis XIV., and he affords the first announcement of the characteristics of the century. His “Historical and Critical Dictionary,” a vast magazine of knowledge and incredulity, was calculated to supersede the necessity of study to a lively and thoughtless age. His skepticism is learned and philosophical, and he ridicules those who reject without examination still more than those who believe with docile credulity. Jean Baptiste Rousseau (1670- 1741), the lyric poet of this age, displayed in his odes considerable energy, and a kind of pompous harmony, which no other had imparted to the language, yet he fails to excite the sympathy. In his writings we find that free commingling of licentious morals with a taste for religious sublimities which characterized the last years of Louis XIV. The Abbe Chaulieu (1639-1720) earned the appellation of the Anacreon of the Temple, but he did not, like Rousseau, prostitute poetry in strains of low debauchery.

The tragedians followed in the footsteps of Racine with more or less success, and comedy continued, with some vigor, to represent the corrupt manners of the age. Le Sage (1668-1747) applied his talent to romance; and, like Moliere, appreciated human folly without analyzing it. “Gil Blas” is a picture of the human heart under the aspect at once of the vicious and the ridiculous.

Fontenelle (1657-1757), a nephew of the great Corneille, is regarded as the link between the seventeenth and eighteenth centuries, he having witnessed the splendor of the best days of Louis XIV., and lived long enough to see the greatest men of the eighteenth century. He made his debut in tragedy, in which, however, he found little encouragement. In his “Plurality of Worlds,” and “Dialogues of the Dead,” there is much that indicates the man of science. His other works are valued rather for their delicacy and impartiality than for striking originality.

Lamotte (1672-1731) was more distinguished in criticism than in any other sphere of authorship. He raised the standard of revolt against the worship of antiquity, and would have dethroned poetry itself on the ground of its inutility. Thus skepticism began by making established literary doctrines matters of doubt and controversy. Before attacking more serious creeds it fastened on literary ones.

Such is the picture presented by the earlier part of the eighteenth century. Part of the generation had remained attached to the traditions of the great age. Others opened the path into which the whole country was about to throw itself. The faith of the nation in its political institutions, its religious and literary creed, was shaken to its foundation; the positive and palpable began to engross every interest hitherto occupied by the ideal; and this disposition, so favorable to the cultivation of science, brought with it a universal spirit of criticism. The habit of reflecting was generally diffused, people were not afraid to exercise their own judgment, every man had begun to have a higher estimate of his own opinions, and to care less for those hitherto received as undoubted authority. Still, literature had not taken any positive direction, nor had there yet appeared men of sufficiently powerful genius to give it a decisive impulse.